Bibliography
Meissner, Bruno. 1915. Grundzüge der babylonisch-assyrischen plastik. Der Alte Orient15. Leipzig: J. C. Hinrichs, p. 64, fig. 115.
Meissner, Bruno. 1920. Babylonien und Assyrien I. Heidelberg: C. Winter, pp. 270-271, figs. 147-148.
Herzfeld, Ernst. 1941. Iran in the ancient East. London, New York: Oxford university press, p. 145, fig. 261.
Van Buren, E. Douglas. 1945. Symbols of the Gods in Mesopotamian Art. Analecta Orientalia 23. Roma: Pontificum Institutum Biblicum, p. 63, 73, 89.
Wilkinson, Charles K. "The Art of the Ancient Near East." The Metropolitan Museum of Art Bulletin 7 (7), pp. 189, 195.
Wiseman, Donald J. 1960. "The Goddess Lama at Ur." Iraq 22, p. 168, pl. XXIII, f-h.
Metropolitan Museum of Art. 1970. Masterpieces of Fifty Centuries, exh. cat. New York: Dutton, no. 13, p. 83.
Maxwell-Hyslop, K.R. 1971.Western Asiatic jewelry c.3000-612 B.C. London: Methuen, pp. 88, 145, figs. 61-65c.
Boehmer, Rainer Michael. 1972. Die Kleinfunde von Bogazköy aus den Grabungskampagnen 1931-1939 und 1952-1969. Wissenschaftliche Veröffentlichungen der Deutschen Orient-Gesellschaft 87: Bogazköy-Hattusa. Berlin: Gebr. Man Verlag, pp. 25-26, figs. 13d-e.
Orthmann, Winfried. 1975. "Babylonisch-assyrisches Kunsthandwerk." In Der Alte Orient, edited by Winfried Orthmann. Propyläen Kunstgeschichte, Vol. 14. Berlin: Propyläen Verlag Berlin, no. 253a, pp. 327, 330, pl. 253 a.
Liebling, Roslyn. 1978. Time Line of Culture in the Nile Valley and its Relationship to Other World Cultures. New York: The Metropolitan Museum of Art.
Arnaud, Daniel, Yves Calvet, and Jean-Louis Huot. 1979. "Ilšu-Ibnišu, orfèvre de l'E.Babbar de Larsa. La jarre L.76.77 et son contenu." Syria 56 (1-2), pp. 42, 44, 47, 50, 59-60, pl. IV.
Oates, Joan. 1979. Babylon. London: Thames and Hudson, p. 53, fig. 31.
Wolters, Jochem. 1981. "A Short History of the Art of Granulation -- II: types and styles." AURUM 87, fig. 1.
Metropolitan Museum of Art. 1983. The Metropolitan Museum of Art Guide, edited by Kathleen Howard. New York: The Metropolitan Museum of Art, p. 54, fig. 22.
Muscarella, Oscar W. 1983. "Necklace with Pendants." In The Metropolitan Museum of Art: Selections from the Collection of the Ancient Near East Department, exh. cat. Tokyo: Chunichi Shimbun, no. 8.
Harper, Prudence O. et al. 1984. "Ancient Near Eastern Art." The Metropolitan Museum of Art Bulletin 41 (4), Spring 1984, p. 20, fig. 19.
Pittman, Holly, in collaboration with Joan Aruz. 1987. Ancient Art in Miniature: Near Eastern Seals from the Collection of Martin and Sarah Cherkasky. New York: The Metropolitan Museum of Art, pp. 30-31, fig. 17.
Invernizzi, Antonio. 1992. Dal Tigri All'Eufrate II: Babilonesi e Assiri. Firenze: Casa editrice Le lettere, p. 87, fig. 139 (ill.).
Musche, Brigitte. 1992. Vorderasiatischer Schmuk von den Anfängen bis zur Zeit der Achaemeniden. Handbüch der Orientalistik, erster Band: der alte vordere Orient, zweiter Abschnitt B.7. Leiden: E. J. Brill, p. 147 no. 5, pl. 51.
Lilyquist, Christine. 1994. "The Dilbat Hoard." Metropolitan Museum Journal 29, pp. 5-36.
Kawami, Trudy S. 1996. "Melammu and Puluhtu: The Aesthetic, Religious and Political Significance of the Ancient Near Eastern Shamshatu Medallion." Jewelry 1 (1996-1997), pp. 80-81, figs. 1-2.
Huot, Jean-Louis. 2003. American University of Beirut Archaeological Museum Newsletter 17, p. 17.
Benzel, Kim. 2008. “Pendants and Beads.” In Beyond Babylon: Art, Trade, and Diplomacy in the Second Millennium B.C., exh. cat. edited by Joan Aruz, Kim Benzel, and Jean M. Evans. New York: The Metropolitan Museum of Art, no. 4, pp. 24-25.
Benzel, Kim, Sarah B. Graff, Yelena Rakic, and Edith W. Watts. 2010. Art of the Ancient Near East: A Resource for Educators. New York: The Metropolitan Museum of Art, image 15, pp. 80-81.
Aruz, Joan. 2016. "Bronze to Iron: Art in Transition." In Assyria to Iberia: Art and Culture in the Iron Age, edited by Joan Aruz and Michael Seymour. New York: The Metropolitan Museum of Art, p. 17, fig. 3.
Benzel, Kim and Diana Craig Patch. 2018. “Activating the Divine.” In Jewelry: The Body Transformed, edited by Melanie Holcomb, exh. cat. New York: The Metropolitan Museum of Art, pp. 79-82, pl. 65.